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At that time, Hercules (“Herk”) Favilla, son of John Favilla and a former vaudeville performer, took over the business and renamed it Favilla Guitars, Inc.įavilla C8 Classical. The company produced instruments in various New York locations, but around 1930 settled into the West 16th Street location where it would remain until 1959. By the 1920s, the company had expanded to over 50 employees. (or Favilla Brothers, predecessor to Favilla Guitars, Inc.) either in 1890 or 1894. 1871-1956) and Joseph Favilla, after having emigrated from to, formed Favilla Bros. My Recent Posts Tags : None i'm looking at a 60s Favilla small body guitar.īACK ROW: Far right, John (Giovanni) Favilla with his wife Lena Center, Francesco Favilla Far left, Andrew Cagnetta, John's son-in-law (and shop foreman for a short. The photos were sent to me by Tom Covello of Lexington, Kentucky.
- From Tom Favilla: 'A rare Favilla guitar built between 18 (I think closer to 1915).
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- C.1965 Favilla F-5 Guitar This is a customer's Favilla F-5.
- Can you tell from the serial number when it was made? 1950's vintage favilla classical guitar. I got 1948 Favilla F5 guitar today and was trying to get some more information on it. Loud, bright, crisp, super- responsive, and easy to handle.Īuthor Topic: My new Favilla F5 (Read 2255 times) 0. This is a darn good guitar for the value on these things. Notice how sloppily those tuners were installed! I'd far prefer the original Klusons to these heavy fellas, but even with the bad install, they work just fine.
The neck profile feels very Gibson but the board profile is flat, so it feels something like a mix of an older style with a newer style neck cut. Zero fret, old headstock repair (sturdy but ugly) and also some poorly- installed (but functional) sealed Grover- style tuners. This particular Favilla has been refinished, has an unoriginal bridge (it had a crudely- installed plastic saddle, but I replaced it with a new bone one and righted some of the ugly saddle slotting), and has an unoriginal pickguard.
This is due to the use of fan bracing (similar to that found on European guitars - Hagstroms, Levins, Bjartons from Sweden, and older Hofners from Germany) which gives it an open, loud, direct tone with lots of guts and sustain. The tone on this one, however, is far better than the ladder- braced LG- 0s which tend to destroy themselves over time. It's essentially the same size and has a similar feel in the lap to a Gibson B- 2.